During the second term of my freshman year at City College in New York - this was the spring of 1974 - I had an unusual professor for one of my English courses. His name was Gordon Raskin, he was a specialist in Medieval Literature, and he was thirty-six-years-old at the time. One of his courses was "The Vampire: Certain Ideas of Evil in Western Thought and Art." Dracula , of course, was
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