Musee d'Orsay, Paris, to see Monet's Poppy Fields painting. "Stunning," she says beside me. "I'm going to Argenteuil, then Giverny today." "Can I come?" she asks, smiling. We follow the Seine from Argenteuil, a summer's day drive, top-down, with Chris Rea's Giverny playing. "Pull in." It was just like the painting, red poppies waving in the corn. Knee-high in a sea of corn, she pulls
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